* Notes *
A revival of Rodelinda (Act II pictured left, photograph by Ken Howard) is currently underway at the Metropolitan Opera. Since I saw this opera in 2006, I opted to hear this at a score desk on Wednesday. The acoustics are quite flattering to voices at Score Desk 3, and everyone could be easily heard. The orchestra sounded neat and tidy under Harry Bicket, everything seemed in place and rather angular. The chorus was appealing in the last act and sang with clarity
The singing was fairly lackluster. Joseph Kaiser (Grimoaldo) sang with much vibrato. Shenyang's Garibaldo had richness but was imprecise. Iestyn Davies showed promise as Unulfo, his voice is bright and pretty. Andreas Scholl (Bertarido) was slightly quiet, but also has a sweet, beautiful voice. There was "a small technical difficulty" with the set before Scholl's "Vivi tiranno," which unfortunately interrupted the flow of the music.
As Eduige, Stephanie Blythe gave a strong, steely performance. Renée Fleming seemed more committed to this title role than her recent turn as Lucrezia Borgia in San Francisco. Though her vocal line had a fine legato, her intonation is lacking and her coloratura is not impressive. Fleming did not follow any of the da capo or dal segno markings in Act I.
* Tattling *
Besides the aforementioned mishap in the last scene, there seemed to be other struggles with the set. The first intermission ran even longer than the allotted 40 minutes, as putting together that elaborate Baroque library in Act II must present a significant challenge. The cues to the lighting booth were loud, and as the music is not, they were all too audible.