* Notes *
San Francisco Symphony and Michael Tilson Thomas celebrate the birth centennial of Leonard Bernstein with a delightful rendering of his Candide that opened last night. The concert version was animated and very funny with fine playing and singing all around.
Though done as a concert, this version of the operetta was made for the Scottish Opera in 1988. It was striking how theatrical and engaging the piece is despite a lack of frills, only a few props and costumes here and there.
Most of the comedy and drama came through simply in the gestures and interactions of the soloists, chorus, orchestra members, and even conductor with each other and the audience. Of course, this could only work because the piece itself is charming and was played and sung with clarity and vim. The sound design from Tom Clark was flawless, we could hear the narration and asides without squeaks or other distractions.
The music sounded vibrant, even when soprano Meghan Picerno (Cunegonde) harassed some of the brass players and the timpanist at the end of Act I. MTT infused both the orchestra and chorus with a nice ease and effortless cheekiness.
The soloists are all clearly talented singing actors. Even from the first tier, the cheerful shrugs or coy head tilts of tenor Andrew Stenson in the title role read plainly. His voice is pretty and sweet. Meghan Picerno's Cunegonde is amusing, her high notes soared and she conveys emotion not only in her body but with her sound. Both Stenson and Picerno brought a certain gravity to the end of the piece, after all the silliness, the contrast was stark and effective.
All the other singing was great, though baritone Michael Todd Simpson did trip over a few words as narrator, he is endearing and his Pangloss was perfectly pompous. It was fun to see and hear the artistic director of Merola Sheri Greenawald as the Old Lady, she really moves gracefully and has perfect comedic timing.
I did not hear any talking or electronic sounds where I was in the First Tier. There were a few people who left the hall in the middle of the performance during both acts, odd given the short 2 hour run time.
I had to run several blocks in the rain to this performance, traffic was worse than I expected and the Performing Arts Garage was full, so I only got into my seat at 7:59pm.