La Traviata

ROH's 2008-2009 Season

September 8- October 4 2008: Don Giovanni
September 16-29 2008: La fanciulla del West
September 23- October 10 2008: La Calisto
October 11-18 2008: La Bohème
October 23- November 11 2008: Matilde di Shabran
November 9-24 2008: Elektra
November 25- December 13 2008: Les Contes d'Hoffmann
December 9 2008- January 1 2009: Hänsel und Gretel
December 22- January 23 2008: Turandot
January 20-31 2009: The Beggar's Opera
January 27- February 17 2009: Die Tote Stadt
February 10 -25 2009: Rigoletto
February 23- March 10 2009: Der fliegende Holländer
March 2- April 11 2009: I Capuleti e i Montecchi
March 31- April 20 2009: Dido and Aeneas/Acis and Galatea
April 13- May 7 2009: Il trovatore
April 27- May 16 2009: Lohengrin
May 12-25 2009: L'elisir d'Amore
June 4-20 2009: Lulu
June 19- July 6 2009: La Traviata
June 26- July 18 2009: Un Ballo en Maschera
July 7-18 2009: Il barbiere di Siviglia
July 9-18 2009: Tosca

Simon Keenlyside and Mariusz Kwiecien share the role of Don Giovanni, and Keenlyside also sings Figaro in Il barbiere. David Alden has his ROH debut directing a production of La Calisto from Bayerische Staatsoper. Bryn Terfel is singing in Holländer and Tosca, while Deborah Voigt sings the title role of the latter. Renée Fleming is singing opposite Joseph Calleja in La Traviata and Thomas Hampson sings Germont. Die Tote Stadt has its UK premiere, Ingo Metzmacher will conduct. The production is from Salzburg and is the one that will be at San Francisco Opera this September. Lucas Meachem will be singing Aeneas in his ROH debut.

Bloomberg Article | Press Release [PDF] |Official Site


The Met's 2008-2009 Season

September 22 2008: Gala
September 23- October 16 2008: Salome
September 24- October 9 2008: La Gioconda
September 27-December 19 2008: Don Giovanni
October 3-25 2008: Lucia di Lammermoor
October 13- November 13 2008: Doctor Atomic
October 20- November 20 2008: La Traviata
October 24- November 22 2008: Madama Butterfly
November 7- December 4 2008: La Damnation de Faust
November 21- December 13 2008: The Queen of Spades
November 28- December 20 2008: Tristan und Isolde
December 8 2008- January 8 2009: Thaïs
December 15 2008- January 10 2009: La Bohème
December 22 2008- January 1 2009: Die Zauberflöte
December 31 2008- February 26 2009: La Rondine
January 9-31 2009: Orfeo ed Euridice
January 24- February 12 2009: Rigoletto
January 26- February 7 2009: Lucia di Lammermoor
January 30- February 21 2009: Eugene Onegin
February 6-28 2009: Adriana Lecouvreur
February 16- May 8 2009: Il Trovatore
February 27- March 7 2009: Madama Butterfly
March 2- April 3 2009: La Sonnambula
March 9-21 2009: Rusalka
March 19- April 10 2009: Cavalleria Rusticana/Pagliacci
March 25- May 4 2009: Das Rheingold
March 31- April 22 2009: L'Elisir d'Amore
April 1-17 2009: Rigoletto
April 6- May 5 2009: Die Walküre
April 13-24 2009: Don Giovanni
April 18- May 7 2009: Siegfried
April 25- May 9 2009: Götterdämmerung
May 1-9 2009: La Cenerentola

The Met's 125th season includes 6 new productions and 22 revivals. Susan Graham is singing Marguerite and Don Elvira. Karita Mattila sings Tatiana and Salomé. Juha Uusitalo has his Met debut as Jokanaan in Salomé. Deborah Voigt stars in the title role of La Gioconda with Ewa Podleś as La Cieca, and Olga Borodina as Laura Badoero. Thomas Hampson is Athanaël in Thaïs, opposite of Renée Fleming, and Onegin, opposite of Mattila as aforementioned. Fleming also sings the title role in Rusalka. Anna Netrebko will sing Mimi and share the role of Lucia with Diana Damrau. Netrebko's Edgardo is, of course, Rolando Villazón. Angela Gheorghiu and Roberto Alagna (Giuseppe Filianoti in February performances) sing in La Rondine, the production is the same one that was seen in San Francisco last Fall and which will be broadcast this weekend. Gheorghiu stars in L'Elisir opposite of Rolando Villazón. Alagna also appears in Cavalleria Rusticana and Pagliacci. John Relyea is in two productions, La Damnation de Faust and La Cenerentola. René Pape sings Hunding and Fasolt in the Ring and King Marke in Tristan und Isolde. Daniel Barenboim is making his Met debut conducting Tristan.

McVicar's Il Trovatore is a co-production with Lyric Opera of Chicago and San Francisco Opera. The Met performances feature Salvatore Licitra, along with Sondra Radvanovsky, Dolora Zajick, and Dmitri Hvorostovsky for the first performances, and then Marco Berti, Hasmik Papian, Luciana D'Intino, and Željko Lučić.

I am most likely to see Orfeo ed Euridice, the Mark Morris production was my very first opera when it was performed in Berkeley several years ago. I am disappointed to not see Ruth Ann Swenson or Andreas Scholl in this lineup for the next season.

Press Release | Official Site


Portland Opera's 2008-2009 Season

September 26- October 4 2008: La Traviata
November 7-15 2008: Fidelio
February 6-14 2009: The Turn of the Screw
March 13-21 2009:
La Calisto
May 8-16 2009: Rigoletto

Francesco Cavalli's La Calisto looks like one of the only Baroque options for opera on the West Coast next season.

2008-2009 Portland Opera Site


La Traviata at Lyric Opera

Chicagolatraviata* Notes *
Every performance of La Traviata has been sold-out at Lyric Opera of Chicago this January. I was unconvinced I could finagle a ticket for yesterday's matinée, as
craigslist only had people who wanted tickets and Lyric Opera does not have standing room. Yesterday the Lyric Opera site still had the warning "Individual tickets will not be available for the January performances of La traviata due to subscriber purchases and exchanges," but did say to call about tickets for the day's performance. It turned out I could not buy a ticket on the telephone, as I am not a subscriber, so I did go down to the box office in person and did not have a problem getting a ticket.

Renée Fleming seemed to be the reason for the sold-out performances, as she has not sung in an opera at Lyric for 5 years. Personally, I had found Ms. Fleming rather overrated, her intonation was poor as Rodelinda and she seemed distant as Tatiana. Also, I thought it a bit ambitious for someone to take on such a vast array of roles, it seems unlikely for anyone to be able to sing both Baroque and Romantic music really well, at least, in the same part of her career. In Act I of La Traviata, Fleming had a few wobbles, but sang "Ah, fors' è lui" beautifully until she inverted herself on the couch. I did not like her rendition of "Sempre libera," her arrpegios were unclear.

The second half, however, was nearly perfect. Matthew Polenzani (Alfredo) sang "De' miei bollenti spiriti" with great tenderness. There were a few times the orchestra overwhelmed him, but on the whole he gave a good performance. Thomas Hampson acted and sang the role of Giorgio Germont quite convincingly, the body-language in his refusal to embrace Violetta was particularly good. His aria "Di Provenza il mar" was one of the best of the performance.

Back to Ms. Fleming, she seemed much more engaged in this role than the others I had heard her in, her voice was laden with emotion, but still was perfectly in tune. Her acting was also fine, going from flirty minx to dying martyr in three acts without missing a beat.

The chorus was good save for a few seconds when the men were just slightly off from the orchestra in Act II Scene 2. The tambourine playing by some female choral members, in the same scene, was not confident. I am not sure why singers are made to do percussion, one would never make percussionists sing.

Desmond Heeley's set and costumes were traditional through and through. Fleming looked prettier in the light green dress of Act II Scene 2 than in the red velvet in Act I. The scene change in Act II took people by surprise, and an usher had to yell into the crowd that it was not an intermission. Also, I believe something went awry in the lighting of Act II Scene 1, when Germont is singing about how Violetta is still young and beautiful. A light in the garden background turned off and on a few times.

* Tattling *
The first balcony is preferable to the ground floor, the sound is better and the way the seats are arranged is such that one's view remains unobstructed by others. I noticed the dress of the audience was as relaxed as in San Francisco, I saw evening gowns and heels, but jeans and sneakers too. A woman in front of me clipped and filed one of her nails before the performance, which I have never seen before.

Audience members were noiser toward the beginning, a woman behind me pointed out the dancers to someone else rather loudly. For the most part, people only whispered, though some female adolescents did make a good deal of noise getting out their gum during the music. Apparently one of these girls knew the couple of older Russian ladies next to her, and was offered some chocolates during the second intermission. In order to eat the chocolates, she took out her gum, placed it on her finger to save it, ate the chocolate, and then put the gum back into her mouth. It was strangely endearing and horrifying at the same time.


SF Opera's 2008-2009 Season

September 5-27 2008: Simon Boccanegra
September 6 2008: Angela Gheorghiu in Concert
September 13- October 3 2008: The Bonesetter's Daughter
September 23- October 12 2008: Die Tote Stadt
October 15-31 2008: Idomeneo
October 15-November 15 2008: Boris Godunov
October 29- November 26 2008: L'Elisir d'Amore
November 16- December 7 2008: La Bohème
December 11-14 2008: Three Decembers
January 10, 2009: Salvatore Licitra in Concert
May 29 2009: Verdi's Requiem
June 2-26 2009: Tosca
June 9-27 2009: Porgy and Bess
June 13- July 5 2009: La Traviata

San Francisco Opera's "Grand and Glorious" 86th season was revealed today, there are 78 performances of 11 operas, running from September 5, 2008 to July 5, 2009. Many big names this year, as promised. Angela Gheorghiu returns in La Bohème, Anna Netrebko in La Traviata, and Dmitri Hvorostovsky as Simon Boccanegra for the first time since he sang Germont in 2004. Samuel Ramey will sing in the title role of Boris Godunov and Frederica von Stade stars in the West Coast premiere of Three Decembers.

Another world premiere this year, no Baroque opera, three operas in English, none in French, but finally an opera in Russian. Inva Mula, the voice of the blue space alien singing Lucia di Lammermoor in The Fifth Element, will have her SF Opera debut as Adina in L'Elisir d'Amore. She sings opposite of Ramón Vargas.

I am most looking forward to Kurt Streit and Alice Coote in Idomeneo. I am glad to see that Joseph Calleja is having his San Francisco Opera debut as Rodolfo in La Bohème.

Summer of 2009 will be the first time in three years that I won't feel compelled to spend every spare moment at the War Memorial Opera House. I have seen the Mansouri/Bosquet Tosca several times, though I do find this opera to be one of my favorites by Puccini. Porgy and Bess is intriguing, but I doubt I'll become obsessed. Though La Traviata will be great, and I'm glad it is a new production (from Los Angeles Opera), I am not holding my breath either. Puccini, Gershwin, and Verdi will get people into the opera house, but I'd rather hear Mozart, Gluck, or Händel.

However, perhaps I should go to Bayreuth in 2009, since I will have the time. It is interesting that there will be such a large gap between the San Francisco Opera this production of Das Rheingold and whole Ring Cycle, which is slated for 2011. I had complained about too many Rings, given that LA and Seattle both have them on the schedule for next year. It was reported that Donald Runnicles would end his tenure as music director here with the Ring, just has he began his career here.

Press Release [PDF] | Season Brochure [PDF] | 2008-2009 Official Site | Examiner Article


Washington National Opera's 2008-2009 Season

September 13- October 5 2008: La Traviata
September 20- October 7 2008: Les Pêcheurs de Perles
November 1-17 2008: Lucrezia Borgia
November 8-19 2008: Carmen
November 21- 22 2008: Petite Messe Solennelle
March 21- April 6 2009: Peter Grimes
May 2-17 2009: Siegfried
May 16- June 4 2009: Turandot

Renée Fleming has her WNO debut in Lucrezia Borgia. Denyce Graves sings the title role of Carmen, in the Zambello production from ROH. The Zandra Rhodes production of Les Pêcheurs de Perles is the one we had here in San Francisco in 2005.


LA Opera's 2008-2009 Season

September 6-26 2008: Il Trittico
September 7-26 2008: The Fly
October 2-18 2008: Madama Butterfly
November 15- December 14 2008: Carmen
January 10-25 2009: Die Zauberflöte
February 21- March 15 2009: Das Rheingold
April 4-25 2009: Die Walküre
April 11-26 2009: Die Vögel
May 21- June 21 2009: La Traviata

Two U.S. premieres and the company's first Der Ring des Nibelungen. Quite a lot of film directors this season: William Friedkin (Il Tabarro/Suor Angelica), David Cronenberg, and Woody Allen (Gianni Schicchi). I'm most interested in hearing Nathan Gunn as Papageno and Plácido Domingo as Siegmund. I have to say I'm disappointed that LA Opera is starting Der Ring the same year as Seattle Opera and Washington National Opera, and only a year after San Francisco Opera unveils Francesca Zambello's production on the West Coast.

Press Release [PDF] | 2008-2009 Season Official Site


La Traviata

The alternate cast for San Francisco Opera's La Traviata was stunningly good. The perennial favorite, soprano Ruth Ann Swenson, was replaced by Mary Dunleavy in the last two performances. Swenson is very precise, her tone is extremely sweet and bell-like. Dunleavy is perhaps more vital, her voice is very strong. Baritone Željko Lučić sang beautifully as Germont, his aria in Act II, "Di Provenza il mar," was excellent.

Otherwise, tenor Rolando Villazón was impressive as Alfredo, his voice is also quite sweet and rich. The flamenco dancers in Act III were disappointing, those ballet dancers have nothing like duende. John Conklin's set and David Walker's costumes were just as one would expect, Verdi would not be surprised, at any rate.


Prendete questo fiore

BsotraviataThe Bavarian State Opera production of La Traviata was impressive as far as the principal singers. Anna Netrebko sang Violetta, and she was simply perfect. Her voice is supple and nearly angelic. This part showed her abilities off more than in others I have heard, she was Nannetta in Falstaff at San Francisco and Natasha in War and Peace at the Met. Rolando Villazón was also good as Alfredo, his tenor utterly warm and light. Paolo Gavanelli's voice was almost too sweet to be that of Alfredo's father Giorgio. His upper range had a slight tentativeness. Various people around me booed at him, I can only think it must be for some political reason, as his voice is beautiful.

Helena Jungwirth (Annina) was again, inaudible. Ann-Katrin Naidu (Flora) alternated between shrill and throaty. The chorus was excellent in the first act, but the male chorus was not together in the second.

The staging, produced by Günter Krämer, sets by Andreas Reinhardt, was ugly, it involved walls and doors. There were leaves all over the stage. Act II, scene one included a swing, teeter-totter, and beach umbrella. The Carlo Diappi's costumes, however, were elegant. Tuxedos and evening gowns, just white and black.

The audience was more well-behaved than usual, and I was able to concentrate. It was very moving, but I don't know if that is because of the music, the performers, or simply because I was able to forget myself.