Raehann Bryce-Davis' Merola Recital
Ars Minerva's Messalina

Opera San José's Dido and Aeneas

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* Notes *
Opera San José has returned to the California Theatre last night with a beautifully cast Dido and Aeneas. Director Elkhanah Pulitzer's new production is likewise attractive.

Music Director Joseph Marcheso conducted a reduced version of the orchestra suited to this Baroque opera that clocks in at only 55 minutes. The continuo -- played here by harpsichord, two guitars, and cello -- packed a punch. A few times I did find myself focusing more on the continuo than what was happening on stage, though both the choreography by Michael Pappalardo and costumes from Ulises Alcala were pretty.

This staging features a nice, minimal set, essentially a curved white wall with arched double doors in the middle that are plain white on one side and turquoise and ornately decorated when open (pictured, photograph by David Allen). Scenes were switched by the use of elements coming in from above the stage and with artful lighting. I really loved how upside down flowering trees appeared in the middle of Act II.

The small chorus has a lot of spirit, and were great to see and hear. The rest of the youthful cast is comprised of the resident company and boasts many familiar faces. Bass-baritone Nathan Stark makes for a creepy Sorcerer, his commanding voice and strong presence were downright threatening and gave credence to the drama at hand. Soprano Maya Kherani sounded lovely as Belinda, her Act II "Thanks To These Lonesome Vales" had a delicate sweetness.

Baritone Efraín Solís makes for a fine Aeneas, his warm voice has an appealing texture and when he is rejected by Dido it felt very real. Mezzo-soprano Nikola Printz is imposing as Dido, having depth, warmth, and nice clean lines to their voice. The sublime "When I am laid in Earth" gave me chills and the falling rose petals as Dido laments her fate are very effective.

* Tattling *
To my surprise the evening began with the National Anthem. We were seated quite near General Director Khori Dastoor, and I could easily hear her clear soprano voice.

The process of checking vaccine status and identification was quick and simple. Once inside the building we saw a number of opera friends, which was heartening. People were very good about keeping their masks on throughout, though I did hear some light talking at the beginning and someone definitely had trouble with a lozenge wrapper just before the two witches sing "But ere we this perform."

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