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October 2020

Lucas Meachem's Virtual Merola Recital

Lucas-meachem-natasha-sadakin* Notes *
Merola, San Francisco Opera's training program, kicked off a virtual recital series last Sunday via Zoom with baritone Lucas Meachem (pictured left, photograph by Natasha Sadakin) and his piano accompanist and wife Irina Meachem. They were very charming and it was a stark reminder of just how strange these pandemic times are.

Lucas Meachem was in Merola in 2003 and went on to be an Adler, he's performed most recently in San Francisco as Mercutio in Roméo et Juliette last season. He pretty much sang from operas he has performed in at San Francisco Opera, so there was “Mab, la reine des mensonges” from the aforementioned Gounod, “Bella siccome un angelo” from Don Pasquale, and such.

Irina Meachem introduced the pieces, and we got to hear about how it is to be in the same industry as your romantic partner and a little bit about the challenges of having a one-year-old.

I loved hearing him sing “Hai già vinta la causa” from Le Nozze di Figaro and “Deh, vieni alla finestra” from Don Giovanni. Meachem channels rakishness well and the richness of his voice came through even in Zoom. Best of all was "Mein Sehnen, Mein Wähnen" (Pierrot’s Tanzlied) from Die Tote Stadt. It brought back to mind San Francisco Opera's dazzling production of this opera back in 2008.

I definitely felt a pang of loss as I heard this recital from our camper van as we drove from Vernal, Utah to Reno, Nevada, the penultimate leg of a cross country trip from Nantucket, where we've been sheltering in place for the summer. 2020 has been a tough year, as much as I feel my privilege acutely, I do miss live performing arts so much. And I feel for all the artists who have had so many gigs canceled and whose livelihoods are on the line.

Lucas and Irina Meachem took the opportunity of this recital to present a piece by a black female composer, namely, Undine Smith Moore. The art song “Love Let the Wind Cry” is as beautiful as anything in the standard repertoire, and was a welcome addition to the program.

* Tattling * 
There were some technical difficulties, though I'm not entirely sure if they were all on my end, since cellular coverage can be spotty in rural areas of our country. I got kicked off Zoom during an aria from Eugene Onegin, but was able to rejoin within a few minutes.


War Memorial Opera House Seat Replacement

Seatupgrade_1San Francisco Ballet and San Francisco Opera, along with the San Francisco War Memorial and Performing Arts Center, announced today that the previously planned seat replacement project originally scheduled for summer 2021 will now take place over a 14-week period between September 2020 to January 2021 during the continuing COVID-19 venue closure this year.

FAQ | San Francisco Opera