Christina Major Interview
Merola Opera Program's If I Were You

Schwabacher Summer Concert 2019

La-rondine_Kristen-Loken_1181* Notes * 
Last night the Merola Opera Program gave its first performance of the year with the Schwabacher Summer Concert at San Francisco Conservatory of Music. The singing shows a lot of promise and there were many distinctive voices.

The evening started with Act I of La rondine (Chelsea Lehnea, Anna Dugan, Amber R. Monroe, and Alice Chung pictured; photograph by Kristen Loken). I was impressed how well matched the singers are. Sopranos Chelsea Lehnea (Yvette) and Anna Dugan (Bianca) along with mezzo-soprano Alice Chung (Suzy) made a lovely trio. Tenor Victor Starsky is clear and warm as Prunier, though he struggled with his lowest note at the end of the act, he is charming with the very cute Hyeree Shin as Lisette. Shin's voice, though not perfectly controlled, is perfectly light and bird-like. Best of all was certainly our Magda, soprano Amber R. Monroe, whose voice is icily incisive without a hint of ugliness and warm resonances throughout her range.

Chelsea Lehnea showed that she's another very fine soprano in Act I, Scene 4 of Lucia di Lammermoor. Her voice is very pretty and flexible, and she sang beautifully with the plaintive tenor Salvatore Atti as Edgardo.

After intermission we heard Act II, Scenes 3 and 4 of Die schweigsame Frau, and soprano Hyeree Shin sparkled as Aminta while bass Stefan Egerstrom countered her with much gravity. The banter in German was easy to discern. We also heard Act IV, Scenes 5 through 8 of Faust. The orchestra, particularly the horns, sounded fuzzy here. Conducted by Craig Kier, was as last year, upstage behind the singers, and again there were synchronization issues, most obviously in the Gounod and Puccini. Bass-baritone Andrew Dwan is a very loud and powerful Méphistophélès, while baritone Laureano Quant made for a passionate Valentin.

Merola certainly saved the best for last with an arresting finale of Il trovatore. The orchestra had lovely moments, especially in the strings. Soprano Anna Dugan (Leonora) has a delicate sound, a good contrast to the dastardly Il Conte di Luna of baritone Jeff Byrnes, whose volume is quite intense. Victor Starksy's tenor is bright and lucid, but the singer that really had me on edge and paying attention was mezzo-soprano Alice Chung, whose Azucena is strong and otherworldly.

* Tattling * 
The audience very attentive and quiet. We saw at least three former Merolini in the audience, including tenor Pene Pati and soprano Amina Edris.