* Notes *
Debussy's mysterious Pelléas et Mélisande (pictured left, photograph by Karen Almond) had a splendid fourth performance this season at the Metropolitan Opera yesterday. Though the singing was lovely, the real stars of the show was conductor Yannick Nézet-Séguin and the orchestra.
The production is straight-forward enough, the revolving set is made of walls that can be rearranged to change the scenes. There were two short pauses for this (and two intermissions) but considering that the performance is 4 hours long, this was pretty efficient. The scene changes were impressively quiet.
The direction did take some of the dramatic effect out of Pelléas' death by having the couple kiss ardently, rationalizing Golaud's response perhaps, and certainly making him sound silly when he sings "Ils s'étaient embrassés comme des petits enfants...Ils étaient frère et soeur..." in Act V.
Maestro Yannick Nézet-Séguin had the orchestra sounding utterly transparent and vibrant. All the lushness of the score was on full display.
The cast is solid. Bass-baritone Kyle Ketelsen seemed wooden in Act I and II, but perhaps that is how Golaud should be, as the evening progressed he got more and more erratic and downright scary.
Tenor Paul Appleby is a fine, youthful Pelléas. He showed his range from tender to passionate in his last scene in Act IV. Mezzo-soprano Isabel Leonard gave a convincing portrayal of Mélisande. Her pure sound tends toward the ethereal which is perfect for this role.
Most distinctive was bass Ferruccio Furlanetto. His voice is gorgeously resonant and his Arkel the most sympathetic of all the characters. His singing in Act IV Scene 2 was especially appealing.
* Tattling *
Someone appeared onstage before the performance to announce a casting change. The relief of the audience that it was the role of Yniold, the young son of Golaud, that was replaced was palpable.
Since I was able to convince my dear friend to come to New York to see this opera with me -- she lives in Colorado, has two toddlers, and is 7 months pregnant -- I sprang for first row seats. My view was "obstructed" by the conductor, but I did not mind in the least.