SF Opera's Die Meistersinger von Nürnberg
SF Opera Summer 2016 Cast Changes

SF Opera's Il barbiere di Siviglia

_B5A2612* Notes * 
A revival of Emilio Sagi's busy production of Il barbiere di Siviglia (Act II pictured left, photograph by Cory Weaver) returned to San Francisco Opera after only two years. The proceedings last night did not come into focus until the finale of Act I, but the result was a definitive success, unlike much of what has gone on this season.

The director this time around is Roy Rallo, but the production was fairly close to Sagi's original work. One such subtle change was the guitar in the serenade was given to someone in the orchestra pit rather than being played by Almaviva. Llorenc Corbella's set is great for changing the scenes but it is hard to tell what is inside and what is outside, it is a platform with a few walls on the left side of the stage. Objects and people can enter and exit from under the platform, but this often felt a bit random, as during Don Basilio's La Calunnia aria, when a white curtain noisily appears under the platform and is blown across the right side of the stage. The main part of the set is also quite white, as are many of the costumes, so the end, which has lots of bright shawls, mylar balloons, cotton candy, confetti, and firework projections, is a happy contrast.

Maestro Giuseppe Finzi had the lively orchestra going at a fast clip and there were times were rather loud, especially during Act I. It was difficult to hear "Largo al factotum," even though Lucas Meachem (Figaro) ordinarily has a strapping sound. Meachem occasionally sounded out of breath, but he is a fine actor and is funny. Daniela Mack is a cheeky, charming Rosina. Her voice is not to my taste for some reason, something about her vibrato and the resonances of her sound, but she is competent and again, acts well. René Barbera is a wonderful Almaviva, his bright voice has a beautiful consistency from top to bottom. His coloratura is gorgeous.

Everyone sang nicely together, and the ensembles were a joy. The supporting cast is solid. Alessandro Corbelli is always impressive as Doctor Bartolo, his patter is excellent. Catherine Cook is a delight as Berta, as is Andrea Silvestrelli as Don Basilio.

* Tattling * 
The balcony was full for the night before Thanksgiving performance. There was some talking from old and young alike, but the audience seemed engaged and interested.