* Notes *
San Francisco Performances featured mezzo-soprano Stephanie Blythe (pictured left, photograph by Kobie van Rensburg) in a charming recital last night. Somehow the programs for the performance went missing, and we were given photocopies of the most relevant pages. As it turned out, Blythe had not provided the texts in program, and she explained it was because she loved words and worked hard to be understood. She also joked about appreciated seeing people's faces as she sang, rather than the tops of their heads. Blythe and her accompanist Warren Jones read the 12 poems of Emily Dickinson that James Legg set to music, and later read the 3 James Joyce poems used in the Samuel Barber songs that followed. Though I enjoyed the directness of this approach, it seemed unnecessary, as they communicated the content through the music with great clarity. Blythe has excellent diction and a broad emotional range. She does have a great deal of volume at her disposal. Barber's "Sleep Now" was impressively stirring and painful.
The second half of the show was entitled "Songs from Tin Pan Alley" and included Jones playing a few rags by Joplin. Blythe was disarmingly funny, she and Jones hammed it up just enough, and it all seemed natural. Creamer and Layton's "After You've Gone" was especially amusing, as was Berlin's "I Love a Piano." Blythe sang Berlin's "What'll I Do?" with gravity, but without sounding operatic. I believe the encores were another Joplin rag (played by Jones), "How can I keep from singing?" (sung a cappella by Blythe), and "Beautiful Dreamer" (sung by Blythe and accompanied by Jones).
* Tattling *
The audience was silent and attentive. More than one known Wagner fanatic was noted among the attendees.