* Notes *
The tenth season of the BluePrint project opened yesterday evening at the San Francisco Conservatory of Music. The concert started with John Harbison's North and South, with mezzo-soprano Julienne Walker. The New Music Ensemble sounded clear and together under the expert direction of Maestra Nicole Paiement (pictured left, photograph by Roger Steen). Walker's voice is steely but flexible. The songs are jazzy and accessible. This was followed by Kurt Rohde's rather charming Concertino for Solo Violin and Small Ensemble (2010). The soloist, Axel Strauss, played nimbly with the ensemble. The piece is humorous, and the movements are all aptly named.
Erwin Schulhoff's Concerto for Piano and Small Orchestra, Opus 43 was most impressive, especially the soloist, Keisuke Nakagoshi. The Allegro alla Jazz was played with vibrancy, and it was wonderful to hear how much fun everyone was having. The concert ended with an excerpt from Harbison's The Great Gatsby, arranged for chamber orchestra by Jacques Desjardins. The singers, mezzo-soprano Erin Neff as Myrtle and baritone Bojan Knezevic as Wilson, are both strong performers with beautiful voices. The duet they sang was semi-staged in that Neff fell to the ground, which struck me as slightly strange. Knezevic's accent was noticeable in words like "pretty" and "worrying," but he and Neff were easy to understand without looking at the text provided in the program. There certainly is much to look forward to in Ensemble Parallèle's production of the opera, which is scheduled for February 2012.
* Tattling *
The audience was rather silent, only a few whispers and rustles were heard. During the ovation for the Rohde piece, I realized we had been seated next to the composer, and could not stop laughing over this. Two loud beeps were heard during the Alla marcia maestoso of the Schulhoff.