* Notes *
Don Pasquale had its 133rd performance at the Metropolitan Opera on Friday night. From what I could see at Score Desk 2, the sets and costumes, designed by Rolf Langenfass, were entirely traditional. One can only imagine Otto Schenk's 2006 production was likewise.
The orchestra sounded lucid under James Levine. The trumpet solo at the beginning of Act II was especially fine. The chorus was also fine. Anna Netrebko, while not possessing a particularly apt voice for bel canto, otherwise acquitted herself in the role of Norina convincingly. Her voice remains robust and dark, her gasps rather audible. Matthew Polenzani sounded sweet and disarmingly vulnerable as Ernesto.
Mariusz Kwiecien (Malatesta) started off with a slight wooliness, but sounded strong otherwise. His acting skills were apparent through his voice. In the title role, John Del Carlo was similarly shaky at first, but again, his consummate acting came through vocally. The Act III duet, "Cheti, cheti, immatinente," was particularly charming, and we were even favored with an encore of this as the finale scene was set.
* Tattling *
Though I did not receive my score desk ticket in the mail as I expected, the Met Opera Guild's Community Programs Fellow made sure it was waiting for me at the box office. During the performance itself, a family of three seemed completely confused about where they were sitting in the Family Circle. In any case, they were not together, and felt fit to wander over to one another and speak aloud as the performance occurred. Mercifully, they went elsewhere after the intermission.