* Notes *
Philharmonia Baroque Orchestra opened a run of performances featuring countertenor David Daniels last night in Berkeley. Nicholas McGegan first conducted Telemann's Concerto for Three Horns and Violin in D major. The orchestra bounced delightfully but despite their efforts, the horns had more than one painful moment. One imagines this instrument must be devilishly hard to play. The concertmaster and violin soloist, Carla Moore, sounded quite good in the second movement Grave. Daniels joined the orchestra for Vivaldi's Stabat Mater. He sang with warmth and sweetness. There was a bit of warbling but nothing terribly distracting. The quietness of "Quis est homo" was lovely and the strings sounded particularly vibrant in "Eja mater, fons amoris." After the intermission, Daniels returned to sing arias from Händel's Il triofo del Tempo e del Disinganno, Radamisto, and Agrippina. "Perfido, di a quell'empio tiranno" was strident and "Voi che udite il mio lamento" mournful. Daniels sang "Qual nave smarrita" from Act III of Radamisto as an encore. The concert ended with Telemann's Suite in F major, which was played with insouciance. The Die concertierenden Frösche Krähen was rather silly but certainly amusing.
* Tattling *
The people in the center of the front balcony were silent for the first half, but the women in the middle of Row E spoke during David Daniel's first aria after the break. A watch alarm was heard at 9pm during this piece as well. The couple in E 211 and 212 also talked during the second half but responded appropriately when they noticed they were audible to other audience members.