* Notes *
The second performance of Giulio Cesare at Salle Pleyel came together better than the first. Les Arts Florissants sounded more cohesive. The concertmaster did not break any strings this time, and her intonation was more accurate, but her playing for "Se in fiorito ameno prato" was still screechy and not beautiful. The horn soloist still hit many unpleasant notes in "Va tacito e nascosto" but her mistakes were less grating than on Tuesday. However, the three horns in the March of the last scene were awful, and were laughed at by various audience members.
The singing was consistent, the cast is extraordinary. Philippe Jaroussky (Sesto) and Nathalie Stutzmann (Cornelia) were definitely at their best in their duet at the end of Act I. Cecilia Bartoli was delicate and sweet in "Vadoro pupille." She also sang "Piangero la sorte mia" exquistely. Andreas Scholl seemed less tense than before, his voice came out more, though he was difficult to hear during "Al lampo dell' armi." He did cough twice during the concert. Scholl sang "Dall'ondoso periglio...Aure, deh, per pietà" with particular elegance.
* Tattling *
The clapping did not start as early as it had on Tuesday, and people even managed to applaud after the music was done. The audience whispered a little, and there were two very noisy watch alarms on separate occasions. There was a medical emergency in the center terrace during "Da tempeste il legno infranto." As Cecilia Bartoli sang, an older woman lost consciousness, perhaps she fainted or had a seizure. The people around her checked her pulse and tried shaking her awake, but had to fetch medical help. The woman was able to walk out of the hall, but there was a noticeable pause between Cleopatra's aria and the recitative between Cornelia and Sesto that followed.