Das Pergamonmuseum
The Redeemer Reborn Review

7th Performance of Don Giovanni at Unter den Linden

* Notes *
The April performances of Don Giovanni at Staatsoper Unter den Linden began last night, conducted by Asher Fisch. There were a few times that the orchestra and singers were not quite together, but worse was all the banging coming from backstage. Doubtless this will improve over time, but it was not particularly impressive.

I think I may have heard Mariusz Kwiecien sing the title role a few too many times (I believe it was eight times in the last year), for I found René Pape a bit strange in the role, though he is one of my favorite singers. Pape lacks a certain unctuousness that Kwiecien absolutely embodies. Pape also sounded a slightly quiet, his Champagne aria was distracted, perhaps because of all the dancing happening behind him. However, his "Deh vieni alla finestra" was wonderful.

Much of the cast seemed quiet to me, Jeremy Ovenden was a muffled Don Ottavio and Arttu Kataja (Masetto) was all but inaudible. As Zerlina, Sylvia Schwartz's voice was perfectly bird-like and small, and showed a bit of strain at the beginning. She sang "Batti, batti, o bel Masetto" well. Anna Samuil was fairly good as Donna Anna, though she sounded a bit out of tune during "Or sai chi l'onore."

Hanno Müller-Brachmann was very funny as Leporello and he sang "Madamina, il catalogo è questo" especially nicely. Annette Dasch was the first Donna Elvira I have heard in the last year that did not have an exceedingly wide vibrato and was actually in tune.

Overall, I was slightly disappointed with the performance. There was one moment when everything came together in the finale of Act I, suddenly everything came into focus, at least musically, in the last 3 minutes. That quality was not sustained in Act II. I will save my various snide comments about the production for my more definitive review of this opera, next week, after a few more viewings.

* Tattling *
The British people next to me were utterly boggled by the cast of characters and could not figure out who was who. Needless to say, the production did not help them, and of course, they did not read German. It was almost cute, how they couldn't figure out if Donna Elvira was the blonde or who was engaged to Don Ottavio. To be fair, there seemed to be an error in the English synopsis. Personally, I thought it was quite obvious that Donna Elvira was the one with the impressive décolleté, but refrained from saying anything to them.