O Gott, wie rührt mich dies!
$50 Orchestra Seats

Mistero e Malinconia


Giorgio de Chirico
Mistero e Malinconia di una Strada, 1914
Oil on canvas, 88 x 72 cm
Private collection

* Notes *
Apparently Michael Yeargan's set for Rigoletto is based on Giorgio de Chirico's architectural paintings. De Chirico (1888- 1978) started on this particular style in 1910 when he was living in Florence and moved on from metaphysical in 1919 to paint more realistically.

Mary Dunleavy did hit her high notes in "Caro Nome" for last Monday's performance. Unsurprisingly, Giuseppe Gipali and Greer Grimsley were easier to hear from the boxes than in the orchestra. The former still was so stiff as an actor, he was neither dashing nor rakish as the Duke should be. Paolo Gavanelli, on the other hand, acted well as Rigoletto, his sneering at court, his love for his daughter, his fear of the curse all came out well in his voice and movement.

* Tattling *
Some occupants of Box T chattered intermittently, and the latecomers of Box U were seated after the music started in Act I.