The Queen of Spades

Deutsche Oper Berlin's 2008-2009 Season

September 13 2008- July 2 2009: Turandot
September 14 2008- March 22 2009: Der fliegende Holländer
September 15-27 2008: Rigoletto
September 20 2008: L'Amico Fritz
September 21 2008- May 2 2009: Die Zauberflöte
September 30- October 8 2008: Pique Dame
October 1-5 2008: The Nose
October 2-7 2008: Chowanschtschina
October 3 2008 - February 15 2009: Der Rosenkavalier
October 22-31 2008: Manon Lescaut
October 30- November 6 2008: Lohengrin
November 20 2008- May 8 2009: La Traviata
November 28 2008- April 12 2009: Aida
November 30 2008- May 31 2009: Tannhäuser
December 8 2008- February 12 2009: Daphne
December 13 2008- March 11 2009: Lucia di Lammermoor
December 14-28 2008: Hänsel und Gretel
December 17 2008- January 9 2009: Cunning Little Vixen
December 18 2008- January 4 2009: La Bohème
January 7- June 24 2009: Tosca
January 18- February 14 2009: Die Ägyptische Helena
January 25- February 10 2009: Salome
January 28- February 13 2009: Cassandra / Elektra
February 8-27 2009: Ariadne auf Naxos
March 8- July 3 2009: Carmen
March 13- April 25 2009: Un Ballo in Maschera
March 26- April 4 2009:
Andrea Chenier
April 9-24 2009: Marie Victoire
April 30- May 9 2009: Eugene Onegin
May 20- June 2 2009: La Cenerentola
May 26- June 18 2009: Der Freischütz
May 27- June 6 2009: Madama Butterfly
June 10-21 2009: Tristan und Isolde
June 17-25 2009: Le Nozze di Figaro
June 26- July 4 2009: Tiefland

Valery Gergiev conducts Pique Dame, The Nose, Chowanschtschina. Bo Skovhus sings the title role of Eugene Onegin. Roberto Alagna sings Fritz in L'Amico Fritz, with Angela Gheorghiu as Suzel. Gheorghiu returns in May for La Traviata, and in June for Tosca. Angelika Kirchschlager sings the title role of Carmen and Octavian in Der Rosenkavalier. Nancy Gustafson sings the Feldmarschallin in the latter, but only in December. Mariusz Kwiecien sings in the March performances of Lucia, opposite of Burcu Uyar and Elena Mosuc, who share the title role with Ruth Ann Swenson.

2008-2009 Schedule | Official Site


The Met's 2008-2009 Season

September 22 2008: Gala
September 23- October 16 2008: Salome
September 24- October 9 2008: La Gioconda
September 27-December 19 2008: Don Giovanni
October 3-25 2008: Lucia di Lammermoor
October 13- November 13 2008: Doctor Atomic
October 20- November 20 2008: La Traviata
October 24- November 22 2008: Madama Butterfly
November 7- December 4 2008: La Damnation de Faust
November 21- December 13 2008: The Queen of Spades
November 28- December 20 2008: Tristan und Isolde
December 8 2008- January 8 2009: Thaïs
December 15 2008- January 10 2009: La Bohème
December 22 2008- January 1 2009: Die Zauberflöte
December 31 2008- February 26 2009: La Rondine
January 9-31 2009: Orfeo ed Euridice
January 24- February 12 2009: Rigoletto
January 26- February 7 2009: Lucia di Lammermoor
January 30- February 21 2009: Eugene Onegin
February 6-28 2009: Adriana Lecouvreur
February 16- May 8 2009: Il Trovatore
February 27- March 7 2009: Madama Butterfly
March 2- April 3 2009: La Sonnambula
March 9-21 2009: Rusalka
March 19- April 10 2009: Cavalleria Rusticana/Pagliacci
March 25- May 4 2009: Das Rheingold
March 31- April 22 2009: L'Elisir d'Amore
April 1-17 2009: Rigoletto
April 6- May 5 2009: Die Walküre
April 13-24 2009: Don Giovanni
April 18- May 7 2009: Siegfried
April 25- May 9 2009: Götterdämmerung
May 1-9 2009: La Cenerentola

The Met's 125th season includes 6 new productions and 22 revivals. Susan Graham is singing Marguerite and Don Elvira. Karita Mattila sings Tatiana and Salomé. Juha Uusitalo has his Met debut as Jokanaan in Salomé. Deborah Voigt stars in the title role of La Gioconda with Ewa Podleś as La Cieca, and Olga Borodina as Laura Badoero. Thomas Hampson is Athanaël in Thaïs, opposite of Renée Fleming, and Onegin, opposite of Mattila as aforementioned. Fleming also sings the title role in Rusalka. Anna Netrebko will sing Mimi and share the role of Lucia with Diana Damrau. Netrebko's Edgardo is, of course, Rolando Villazón. Angela Gheorghiu and Roberto Alagna (Giuseppe Filianoti in February performances) sing in La Rondine, the production is the same one that was seen in San Francisco last Fall and which will be broadcast this weekend. Gheorghiu stars in L'Elisir opposite of Rolando Villazón. Alagna also appears in Cavalleria Rusticana and Pagliacci. John Relyea is in two productions, La Damnation de Faust and La Cenerentola. René Pape sings Hunding and Fasolt in the Ring and King Marke in Tristan und Isolde. Daniel Barenboim is making his Met debut conducting Tristan.

McVicar's Il Trovatore is a co-production with Lyric Opera of Chicago and San Francisco Opera. The Met performances feature Salvatore Licitra, along with Sondra Radvanovsky, Dolora Zajick, and Dmitri Hvorostovsky for the first performances, and then Marco Berti, Hasmik Papian, Luciana D'Intino, and Željko Lučić.

I am most likely to see Orfeo ed Euridice, the Mark Morris production was my very first opera when it was performed in Berkeley several years ago. I am disappointed to not see Ruth Ann Swenson or Andreas Scholl in this lineup for the next season.

Press Release | Official Site


Welsh National Opera's 2008-2009 Season

September 19- October 11 2008: Otello
September 26- October 9 2008: Il Barbiere di Siviglia
February 7-28 2008: Le Nozze di Figaro
October 8-10 2008: Jenůfa
February 12-27 2009: L'Elisir d'Amore
February 24-26 2009: Salomé
May 13- June 4 2009: The Queen of Spades
May 18- June 6 2009: La Bohème
June 2 2009: Mitridate, Re Di Ponte

Rebecca Evans is has her role debut as the Countess in Le Nozze, and is also singing Mimi in Bohème. Nuccia Focile sings the title role of Jenůfa and Dimitri Pittas sings Nemorino in L'Elisir.

Press Release | Official Site


Pikovaya Dama

Last month I attended a performance of The Queen of Spades at San Francisco Opera. The Russian operas are always very well attended here, so generally there is one each season, though surprisingly, Eugene Onegin was also given earlier in the 2004-2005 season.

The production presented is owned by the Welsh National Opera, and the singers involved were better than the ones the Petersburg production I attended last year. Roy Rallo's stage direction was somewhat tedious. At first it might have been tolerable; the enormous portraits of the title character used as scrims and decor were silly, but not unbearable. The puppet show they put on in Act II was cynical to the point of being moralistic, but also, I could have overlooked this.

But in the last act, second scene, we are looking down into Gherman's room, and the bed was disproportionately large. I knew something was going to occur. The ghost of the Countess popped up as an enormous skeleton, and the singer herself had to sing from backstage. Hanna Schwarz had the best voice of the cast, and I had been looking forward to hearing her one last time. Of course, the absurdity of the staging elicited tittering. Then at the end, the skeleton reappears, peering in through the skylight.