* Notes *
William Kentridge's 2010 production of The Nose (pictured left, photograph by Ken Howard) at the Metropolitan Opera was revived on Saturday afternoon. The matinée performance was an utter delight. The combination of music, singing, animation, set, and choreography all came together wonderfully. Performed without an intermission, the intensity of the proceedings is impressive. The only real problem was that Valery Gergiev had the orchestra playing a bit too loudly for some of the singers. The tempi seemed brisk.
The ensemble and choral singing were particularly strong. Ying Fang sounded lovely in the last scene of Act I as the female soloist at Kazan Cathedral. Alexander Lewis makes for a sprightly Nose, his voice is bright. Andrei Popov also has wonderful command of his choreography as the Police Inspector and projected nicely. Paulo Szot's voice is not quite incisive enough to cut through heavy orchestration but his general demeanor as Kovalyov is sympathetic and warm.
* Tattling *
This is the first opera at the Met since 2006 that I have attended in a regular seat, so not standing or at a score desk. Unfortunately the two people next to me in Row N of the orchestra level arrived at 1:07pm and left right when the music ended, not convenient since they were not on the aisle. I suspect they were associated with the production, which would be rather shameful, given that the man in N 116 had an iPhone that rang twice. Once was at the end of the Kazan Cathedral scene where Kovalyov confronts The Nose, and the other time was during the entr'acte before the balalaika scene.