The Nose

The Nose at The Met

Met-opera-the-nose-2013* Notes * 
William Kentridge's 2010 production of The Nose (pictured left, photograph by Ken Howard) at the Metropolitan Opera was revived on Saturday afternoon. The matinée performance was an utter delight. The combination of music, singing, animation, set, and choreography all came together wonderfully. Performed without an intermission, the intensity of the proceedings is impressive. The only real problem was that Valery Gergiev had the orchestra playing a bit too loudly for some of the singers. The tempi seemed brisk.

The ensemble and choral singing were particularly strong. Ying Fang sounded lovely in the last scene of Act I as the female soloist at Kazan Cathedral. Alexander Lewis makes for a sprightly Nose, his voice is bright. Andrei Popov also has wonderful command of his choreography as the Police Inspector and projected nicely. Paulo Szot's voice is not quite incisive enough to cut through heavy orchestration but his general demeanor as Kovalyov is sympathetic and warm.

* Tattling * 
This is the first opera at the Met since 2006 that I have attended in a regular seat, so not standing or at a score desk. Unfortunately the two people next to me in Row N of the orchestra level arrived at 1:07pm and left right when the music ended, not convenient since they were not on the aisle. I suspect they were associated with the production, which would be rather shameful, given that the man in N 116 had an iPhone that rang twice. Once was at the end of the Kazan Cathedral scene where Kovalyov confronts The Nose, and the other time was during the entr'acte before the balalaika scene.


The Nose at the Met

The-nose-william-kentridge * Notes * 
The fifth performance of Shostakovich's The Nose at the Metropolitan Opera was last night. Wiliam Kentridge's production is utter spectacle, the absurdist whimsy suits the music and the plot. At times, the animated projections were a bit dizzying, but overall they came off very well. There were times when the singers were placed awfully far upstage, and were, as a result, difficult to hear. The Nose himself appeared as a projection and live, the choreography was sprightly and amusing.

The orchestra sounded clear under Valery Gergiev. The cast was uniformly strong as far as both acting and singing. Claudia Waite was convincingly shrewish as the barber's wife, and Erin Morley sounded especially beautiful in the scene at Kazan Cathedral. Gordon Gietz was ridiculous as one could want for the Nose, and Andrei Popov screeched hilariously as the Police Inspector. As our protagonist Kovalyov, Paulo Szot was extremely funny. One did not have to know any Russian to understand what was going on, yet pantomime was still avoided.

* Tattling * 
There was some dialogue that was translated in projections that were not visible to everyone in the house and were not part of the Met titles. This caused certain members of the audience to talk. There was some applause as the orchestra played by itself in Act I Scene 6.

Also, it should be mentioned that somehow our friend Herr Feldheim made sure the Tattler had at least one Manhattan-based blogger to greet her at this performance.


Deutsche Oper Berlin's 2008-2009 Season

September 13 2008- July 2 2009: Turandot
September 14 2008- March 22 2009: Der fliegende Holländer
September 15-27 2008: Rigoletto
September 20 2008: L'Amico Fritz
September 21 2008- May 2 2009: Die Zauberflöte
September 30- October 8 2008: Pique Dame
October 1-5 2008: The Nose
October 2-7 2008: Chowanschtschina
October 3 2008 - February 15 2009: Der Rosenkavalier
October 22-31 2008: Manon Lescaut
October 30- November 6 2008: Lohengrin
November 20 2008- May 8 2009: La Traviata
November 28 2008- April 12 2009: Aida
November 30 2008- May 31 2009: Tannhäuser
December 8 2008- February 12 2009: Daphne
December 13 2008- March 11 2009: Lucia di Lammermoor
December 14-28 2008: Hänsel und Gretel
December 17 2008- January 9 2009: Cunning Little Vixen
December 18 2008- January 4 2009: La Bohème
January 7- June 24 2009: Tosca
January 18- February 14 2009: Die Ägyptische Helena
January 25- February 10 2009: Salome
January 28- February 13 2009: Cassandra / Elektra
February 8-27 2009: Ariadne auf Naxos
March 8- July 3 2009: Carmen
March 13- April 25 2009: Un Ballo in Maschera
March 26- April 4 2009:
Andrea Chenier
April 9-24 2009: Marie Victoire
April 30- May 9 2009: Eugene Onegin
May 20- June 2 2009: La Cenerentola
May 26- June 18 2009: Der Freischütz
May 27- June 6 2009: Madama Butterfly
June 10-21 2009: Tristan und Isolde
June 17-25 2009: Le Nozze di Figaro
June 26- July 4 2009: Tiefland

Valery Gergiev conducts Pique Dame, The Nose, Chowanschtschina. Bo Skovhus sings the title role of Eugene Onegin. Roberto Alagna sings Fritz in L'Amico Fritz, with Angela Gheorghiu as Suzel. Gheorghiu returns in May for La Traviata, and in June for Tosca. Angelika Kirchschlager sings the title role of Carmen and Octavian in Der Rosenkavalier. Nancy Gustafson sings the Feldmarschallin in the latter, but only in December. Mariusz Kwiecien sings in the March performances of Lucia, opposite of Burcu Uyar and Elena Mosuc, who share the title role with Ruth Ann Swenson.

2008-2009 Schedule | Official Site