* Notes *
Last weekend Michael Tilson Thomas and San Francisco Symphony presented Das Klagende Lied with some wonderful vocal soloists (Joélle Harvey and Sasha Cooke pictured left with dancers, photograph by Cory Weaver/San Francisco Symphony) and a somewhat incoherent but pretty staging. The early Mahler cantata is narrated by four singers and a chorus, since the characters aren't played by the vocalists, having a staging confuses the plot.
The biggest problem with the performance was not James Darrah's direction, which involved four dancers, two children, and lots of tree video art from Adam Larsen. It was the piece itself, which dates from 1880, and is one of the earliest works of Mahler's that still exists. It sounded a lot like substandard Wagner, and while interesting, it did not make for compelling drama.
The singers were great, baritone Brian Mulligan is rich toned, tenor Michael König is robust, and soprano Joélle Harvey is as clear as ever. Best of all is mezzo-soprano Sasha Cooke, whose ethereal voice has brilliant high and low notes. She also sounded lovely in the Songs of a Wayfarer that was performed before the intermission.
The orchestra sounded shimmery throughout the Sunday afternoon performance and the brass was clear and bright in the beginning Blumine. MTT kept a stately pace.
The audience was patient and silent, giving a standing ovation at the end.