* Notes *
San Francisco Opera's Adler Fellows had an especially impressive annual concert at Herbst Theater last Friday. Supported by the talents of the San Francisco Opera Orchestra and Maestro Jordi Bernacer, the new resident conductor, the singers gave one electrifying performance after another.
San Francisco Opera has been keeping the Adlers busy this fall, and it was great to hear the likes of tenor Pene Pati and baritone Edward Nelson take center stage for a change. Pati is arresting every time I hear him, and as Tebaldo in I Capuleti e i Montecchi, he sang "Che sei tu che ardisci aggirarti furtivo?" with utter conviction, making Nian Wang (Romeo) seem a bit weak in comparison. Pati was charming in a duet with his wife Amina Idris (pictured above, photograph by Kristen Loken), they sang "Quoi, vous m'aimez? ... De cet aveu si tendre" and were very cute. Pati also did very well with "Quango le sere al placido" from Luisa Miller.
Edward Nelson was another standout, his acting was perfect for the duet he sang with soprano Toni Marie Palmertree from Pagliacci. He was completely engaging in "Look, through the port comes the moonlight astray" and one hopes to hear him cast as Billy Budd sometime in the future.
Julie Adams had my favorite aria of the evening with "Glück das mir verblieb" from Die tote Stadt, a reminder both of her incredible voice, put to use only in smaller roles like Kate Pinkerton and Kristina lately, and of the amazing run we had of this opera back in 2008. Adams also gave a riveting performance of "The trees on the mountain" from Susannah.
I was most taken aback by hearing bass Anthony Reed in Song of the Viking Guest from Rimsky-Korsakov's Sadko, he sounded really nice. Oftentimes I find it hard to appreciate the Adlers with lower voices, as they tend to be less far along in their development, and it's hard to extrapolate how their voices will be in decades to come. Reed often sounds a little underpowered to me, and his youth is always at odds with the old man roles he plays on the War Memorial stage.
* Tattling *
It has been so long since I've been to one of these concerts that I didn't realize it is held in Herbst rather than the War Memorial. I had to scurry over and thank goodness traffic hadn't been worse, or I would not have made it in time.
I sat next to a critic who asked me if Toni Marie Palmertree had to step in as Butterfly for a performance, which I confirmed, she sang the role on November 18. On the other side of me was an enthusiastic man who forgot to turn off his phone, which rang before the singing started for the first aria, but kept making sounds as he tried to disable it.