* Notes *
The 92nd season of San Francisco Opera opened last night with a musically luminous Norma. Maestro Nicola Luisotti conducted with vigor, and the orchestra never overwhelmed the singers, only briefly getting ahead of them once or twice. The woodwinds were particularly beautiful. The chorus sang well, the chorus members sounded unified and together.
Jacqueline Piccolino was a fine Clotilda and Christian Van Horn sang Oroveso with power. Though lacking perfect control, Marco Berti was always audible and made for a respectable Pollione.
Jamie Barton's debut at San Francisco Opera was nothing less than impressive. Her voice simply glows. Her performance as Adalgisa was radiant, and she seemed at ease vocally. Sondra Radvanovsky did an admirable job with the difficult title role and was dramatically convincing. She had some harsh notes but sparkled as Norma nonetheless.
The co-production with Canadian Opera Company, Gran Teatre del Liceu and Lyric Opera of Chicago is inert and bloodless, despite being attractive enough. The set (pictured as a model above) is not dynamic but in the end it does feature real fire.
* Tattling *
The audience was rather tame. There was only a little bit of noise from a latecomer who wanted to sit in ZZ 1 of the orchestra level.