* Notes *
The last performance of the 2014 season at San Diego Opera was the matinée of Don Quichotte on Sunday, April 13. This may well have been San Diego Opera's final offering, complete with a Save San Diego Opera demonstration outside and capacity attendance inside. The production is a revival of the one at San Diego Opera in 2009.
Maestra Karen Keltner held the orchestra together, and the music sounded lovely. The chorus was generally good, though the bandits in Act III were not exactly together at first. This improved by the end of the act. The small roles were all filled nicely, it was especially nice to hear Susannah Biller (Garcias) and Joel Sorensen (Rodriguez). Eduardo Chama was delightful as Sancho Pança, he is a fine basso buffo. Anke Vondung sparkled as Dulcinée, and her voice is both rich and smooth. Ferruccio Furlanetto was again entirely committed to the title role. His pathos and ridiculousness came through with great beauty.
* Tattling *
San Diego Civic Theatre only has four wheelchair locations, and an usher put a person in a wheelchair next to me in Row B Seat 43. I had purposely selected this seat as I have a temporary medical condition that requires that prompt attention every few hours. The usher did not consider me at all in his deliberations, and even asked that I get out of his way at one point. However, the person in the wheelchair was exceedingly considerate of me, and was careful to let me get past him at intermission and the end of the show. It was unfortunate that about half the stage was not easily visible for him.