* Notes *
San Francisco Conservatory Baroque Ensemble presented two semi-staged performances of Händel's Ariodante last weekend. Corey Jamason conducted the orchestra, and the period instruments sounded full in Caroline H. Hume Concert Hall. Staying in tune proved rather challenging at times, at least on Sunday afternoon. The musicians did play with much spirit and zest.
The singing was rather good all around, the students fit their parts. Many of the singers were quite loud, especially bass Christopher Filipowicz. Others had difficulties at the edges of their ranges, whether it be uncontrolled high notes, or low notes that did not sit nicely in the voice. Nonetheless, the performance was delightful. Elena Galván was a bright-voiced, diffident Dalinda. Nikola Printz made for a threatening, sensual Polinesso. Johanna Bronk was impressive in the title role, her "Scherza infida" was beautiful.
* Tattling *
The audience was fairly silent. A hearing aid was rather loud in Act I, but was not heard in Acts II or III. I learned that the person sitting to my right has the exact same birth date as mine. Later that day I learned that I would hear the sister of the person to my left play next week in Switzerland.