Merola's Postcard from Morocco
Armide at Glimmerglass

Pina Bausch's Orpheus und Eurydike

Pina-bausch-orpheus-eurydice* Notes *
The Paris Opera Ballet performed Pina Bausch's arresting choreography of Orpheus und Eurydike as part the Lincoln Center Festival yesterday evening. The set, designed by Rolf Borzik, is sober, offset by his simple, often translucent costumes. The dancing was gorgeous. The movements were fluid, and had a lovely natural quality to them. One never felt that the dancers were simply following directions, all the motions seemed to flow out of their bodies with elegance.

The orchestra sounded together under conductor Thomas Hengelbrock. The oboe was especially lovely. The singers also did well. The chorus had many strong moments. Zoe Nicolaidou was a perfectly sprightly Amore. Yun Jung Choi (Eurydike) sounded pretty enough, and only had a few shrill moments. In the title role, Maria Riccarda Wessling had a nice clarity in her higher range, and some warmth. She had some frogginess a few of her lower notes.

* Tattling * 
There was whispering from the woman in B 1 at the beginning of scenes, even when the dancers were performing. Said person was concerned about seeing the stage, and asked that the person in A 1 not lean into the aisle as he was blocking her view.