* Notes *
At first glance, the revival of Don Pasquale (Act II, Scene 2 pictured left, photograph by Ken Howard) at San Diego Opera simply looks like someone took a set and costumes for Fanciulla del West and used it for Donizetti's work. Thankfully, there is much more to director David Gately's elaborate production, which is quite funny. This Wild West version of Don Pasquale works because the essentials are still true to this opera buffa. The characters are all believable, and this rendering has a lot of charm. The gags just keep on coming, and perhaps at times this felt somewhat overwrought. The sets, from Tony Fanning, descriptive and painstakingly detailed, as are the costumes from Helen E. Rodgers.
Conductor Marco Guidarini made his San Diego debut with yesterday's performance. The orchestra played with the necessary fleetness, and were often rather loud. The trumpet made a brave effort at the beginning of Act II despite a few raw moments. The chorus moved well, and though not precisely together, sang nicely. The principal singers were cast evenly. Jeff Mattsey was an entertaining Dr. Malatesta, and his singing was fine aside from some of the patter in the duet "Cheti, cheti, immantinente." Charles Castronovo (Ernesto) had a pretty lightness and the right mournfulness for the role. His voice sounds slightly metallic when he pushes it too hard. Danielle de Niese's Norina was completely convincing, her gestures and expressions were faultless. Though her breathing is noticeable, her voice is deft and bright. John Del Carlo was hilarious in the title role. His sound is warm and his enunciation was excellent throughout, especially in the aforementioned Act III duet with Mattsey.
* Tattling *
There was light talking throughout the opera, and a watch or phone alarm rang during Act III Scene 2.