San Diego Opera's 2010 Season
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Fates of Flesh and Stone

Flicka-jake * Notes * 
A performance of recent songs by Jake Heggie closed Music at Meyer's 2009 Season on Monday. Emily Albrink began the evening by singing Rise and Fall, four songs set to texts by Gene Scheer, accompanied by Heggie himself on piano. Albrink's soprano is cold and bell-like, she was particularly good in the last song, "The Shaman," which was rather jazzy. Brian Leerhuber sang 2 pieces from For a Look or a Touch. I find Leerhuber a very solid singer, but not striking. Cellist Emil Miland played a third piece from the work, "Silence," and this was possibly the most beautiful moment of the program. Next came tenor Nicholas Phan singing 4 songs based on the life of Poulenc, Friendly Persuasions. His voice is sweet and appealing, and his accompaniment of Julie McKenzie (flute), Carey Bell (clarinet), and Emile Miland (cello) was impressive.

After the intermission, the darling bass-baritone John Lindstrom sang a song set to Robert Browning's "Grow Old Along with Me!" Kristin Clayton and Frederica von Stade sang Facing Forward/Looking Back, 4 songs about mothers and daughters. Clayton had a few gasps, but her voice blended very nicely with von Stade's. This was the first time I have gotten an inkling into why von Stade is held in such high regard, her voice can be scintillating, and in those close quarters this was apparent. Catherine Cook held her own singing Statuesque with an ensemble of flute, clarinet, saxophone, violin, and cello. Her voice is distinct, she had good volume for this space, and she is hilariously funny. She did crack or wheeze a little, but it was hardly distracting. The work itself did have a Broadway or jazz sensibility, and was fun.

* Tattling * 
The performance was dedicated to the ailing Zheng Cao, who is friends with Heggie, von Stade, & co. The audience was fairly well-behaved, no cellular phones rang, no watch alarms sounded, and there was only a bit of whispering. During intermission, the coffee line was rather chaotic, and I noticed that the marketing director of San Francisco Opera cut in front of us. A moot point given that there was only decaf, so we did not actually get any coffee in the end.

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