* Notes *
Last night's performance of Die Walküre at the Met was more impressive than Das Rheingold. For the most part, the orchestra continued playing rather cleanly, though there was noticeable trumpet error in Act I. The singing in this act was especially strong. René Pape sounded very different as Hunding than as Fasolt the previous night. Adrianne Pieczonka sang Sieglinde with great beauty, she has a big voice with a controlled vibrato. Her German is clear, especially in contrast to Plácido Domingo's mumbling. Diction aside, Domingo was incredible as Siegmund, very heroic, with lovely high notes and fine volume. The rest of the cast sounded hale as well. Albert Dohmen was distinguished himself by singing his farewell to Brünnhilde quite exquisitely. Yvonne Naef was strident as Fricka, though this is appropriate to the role. As for the Valkyries themselves, they were a disparate bunch, some voices were quite pretty, others rather shrill, and they did not always blend perfectly when singing together. Katarina Dalayman is promising as Brünnhilde, her low notes are warm and pleasant.
The stage was dark for much of the opera, at least from the Family Circle. As a result, it was difficult to discern what exactly was going on, though the characters did pace about the stage quite a bit.
* Tattling *
One of the Walküren did a face-plant during Act III. This provoked some gasps and titters.
There were two watch alarms at 7pm, and a telephone rang during Act III. Standing room was tight during Act II, and I simply stopped looking at the stage during that act, since it was not of much interest anyway. I noted much whispering from the people next to us, which continued during the singing, and was still audible after they found seats during Act III. The rest of the audience was fairly quiet.
After the first intermission, one of my companions overheard someone say "I either have to go home or die quickly." I hope the person in question got home safely.